Chain Of Title Agreement

2. No person, company or entity has any agreement, option or rights that may become an agreement to purchase the rights provided for in the Chain of Title documents. Many documents are required to define a clear title chain, including: it is obvious that several people and works come into play during filming. In order for the producer or production company to have the legal rights to sell the film, they must prove that they have the rights to use all the works. If they don`t, they violate a person`s automatic copyright and face a complaint against them. It is then important to create a chain of titles before the sale and distribution of the film. This article describes what a chain of titles is and the type of documents you need to prove a chain of titles in the context of a film production. Error and Omission Insurance – To continue to protect a filmmaker and/or film distributor, the filmmaker must provide proof of error and omission insurance coverage for the project. E&O insurance is a specific form of insurance for film producers, which covers failures in obtaining an appropriate chain of title. The title chain of a movie or TV show starts with the original story, treatment, or storyline.

If the script is based on previously created material, including the copyright in that material. Therefore, options and put agreements are key agreements to define a production company`s chain of title into a script and the underlying literary material. What rights are transferred? Transmits the author of the underlying literary subject (z.B. a book on which the script is based, both theatrical rights and TV rights? Does assigning the script to the production company provide all rights to and on the script, including all underlying literary material, and the right to make merchandising, sequels, prequels, remakes and additional episodes based on the script? During the development, pre-production, production and post-production of a film, a producer or production company enters into one or more employment contracts with authors, actors, directors, crews, set designers, filmmakers, film composers and other personnel. For copyright and chain of title purposes with respect to the creative contributions of talents to the film, the production company will want to ensure that it owns all the results and proceeds of the various contributions as rental-produced works that, under U.S. copyright, transfer the original copyright to the employer. In this regard, and in order to ensure a clean chain of titles, all agreements on the employment of talent will contain working language for work. In this context, the production company is reviewing the chain of titles to see if it can acquire from the manufacturer the rights it needs for the production and distribution of the film, as well as any additional or under-exploited rights it wishes to exploit. The title chain of a script includes all agreements with all authors and contributors to the script and the underlying material….